equestrian monument of gattamelata
This statue was the ancestor of all the equestrian monuments erected since. Erasmo da Narni (Narni, 1370 – Pádua, 16 de janeiro de 1443), mais conhecido como Gattamelata, foi um dos mais famosos condottieri, ou generais mercenários, do Renascimento italiano.Serviu às cidades de Florença, Veneza e ao Papado.Foi imortalizado com uma estátua equestre criada por Donatello, instalada na cidade de Pádua, onde ele foi ditador em 1437, e onde faleceu. The statue sits on a pedestal, and both the condottiero and his horse are portrayed in life size. The Equestrian statue of Gattamelata is an early piece that made its way in during the Italian Renaissance. Created by Donatello, this early Renaissance statue, with its focus on naturalism, became the prototype for Western equestrian statues. This was one of Donatello's biggest undertakings, with … Gattamelata was hired by Venice and made many advances to solidify the "terra" or earth around Venice for the Venician Government. 28 February 2010. Draper, James David. This funny-sounding name was the nickname of Erasmo da Narni, a condottiere (mercenary) who fought for Venice and is the person depicted riding the horse. One of the great works Donatello created while in Padua was the Gattamelata, the name of which means “honeyed cat”. Donatello was asked to portray Gattamelata in an equestrian statue (or on horseback) to be erected in the square of Sant’Antonio in Padua. The statute depicts Erasmo de Narni, who served under the Republic of Venice. Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni), 1445-53, bronze, 12 feet, 2 inches high, Piazza del Santo, Padua Speakers: Dr. Beth Harris and Dr. Steven Zucker. This was one of Donatello's biggest undertakings, with the final piece produced at life size. Khan Academy>. It was completed between 1447 and 1450 but was not installed on its pedestal in the Piazza del Santo in front of the Basilica of Sant’Antonio in Padua, Italy, … Measuring 340 x 390 cm (the base measuring 780 x 410 cm, it is the earliest surviving Renaissance equestrian statue and the first to reintroduce the grandeur of Classical equestrian portraiture.After its conception, the statue served as a precedent for later sculptures honoring military heroes. N.p., 2014. He felt there was no need to embelish or exagerate in order to promote the character of the individual. Artist Donatello used clear elements of symbolism in order to portray this military figure in the right light. The depiction of force of character and the reference to the power of real people flows with the Renaissance themes of individualism and humanism. [5] One relief shows Gattamelata's coat of arms flanked by two putti that are pointing to it. Monumento a Gattamelata: Equestrian monument of a Renaissance military leader - See 229 traveler reviews, 74 candid photos, and great deals for Padua, Italy, at Tripadvisor. Condotiero Gattamelata (por Donatello) - … In this depiction of Marcus Aurelius, the emperor dwarfs his horse, dominating it by size. Donatello portrays Gattamelata as a composed, alert and watchful leader. The Donatello, “Gattemlata” (equestrian statue of Erasmo da Narni), Piazza del Santo, Padua, Italy, ca.1445-1453. Gattamelata is the first Renaissance equestrian statue reintroducing, after more than a millennium, the grandeur of classical equestrian portraiture. Overall, the Equestrian Monument of Gattemelata is a Renaissance sculpture of great splendor, and one that I would love to go see in person sometime. Equestrian Statue of Gattamelata Locations Through Time - Notable Sales The Gattamelata was completed in 1453 and placed in the Piazza del Santo in Padua, Italy where it remains to this day. "Equestrian monument of Erasmo da Narni, called Gattamelata." Works Cited “Equestrian Statue of Gattamelata.” Artble: The Home of Passionate Art Lovers. [6] Gattamelata is portrayed as a warrior figure, carrying a baton symbolising his military leadership and with a lengthy sword. (This payment has been disputed. The horse echoes the alert, self-contained and courageous air of the rider. See below.) 25 Sept. 2014. A comparison between the sculpture and that of Marcus Aurelius' equestrian statue shows how closely Donatello looked to classical art and its themes. Marcus Aurelius's horse is dressed up, and, while the emperor himself is clad in robes, not armor, he appears both the political and military leader. Strength and confidence is projected from the way in which he saddles the impressive horse. Equestrian Statue of Gattamelata 1447-50 Bronze, 340 x 390 cm (without base) Piazza del Santo, Padua: Donatello's other important Paduan commission besides the High Altar in the Basilica, of a very different kind, was the creation of a bronze equestrian monument (1447–53) to Erasmo da Narni (1370–1443), known as Gattamelata, a deceased captain-general of the Venetian army. Some of the most famous painters to have addressed this genre within their oeuvre included El Greco, Diego Velazquez and Peter Paul Rubens. Equestrian statues occasionally had been set up in Italy in the late Middle Ages, but Donatello's Gattamelata was the first to rival the grandeur of the mounted portraits of antiquity, such as that of Marcus Aurelius, which the artist must have seen in Rome. It is the second major equestrian monument of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453). Equestrian statue of Gattamelata (1453), located in the Piazza del Santo in Padua, is one of Donatello’s most outstanding achievements. After Erasmo of Narni's death in 1443, the mercenary’s family paid for a sculpture in his honor. Successful commanders were therefore treated as heroes and memorised similarly. However, the emperor also has a facial expression of dominance and determination. Comparing “Gattemlata” to “ Bartolommeo Colleoni” by Andrea Del Verrocchio, we see that the work also portrays “ an Italian Condottiero, who became captain-general of the Republic of Venice. Bronze, 12’2” high.” 3 . The success of this commission ensured that several more military pieces would appear in later generations. Equestrian statuary in the West goes back at least as far as Archaic Greece.